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The Associated Press is an independent global news organization dedicated to factual reporting. Founded in 1846, AP today remains the most trusted source of fast, accurate, unbiased news in all formats and the essential provider of the technology and services vital to the news business. More than half the world’s population sees AP journalism every day.
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JAKE COYLE
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Andrew Haigh on the collapsing times and unhealed wounds of his ghost story ‘All of Us Strangers’
The British filmmaker Andrew Haigh is accustomed to strong responses from his films. But his latest, “All of Us Strangers,” may be his most shattering.
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Movie Review: A helicopter father flies his duck family south in ‘Migration’
Illumination’s “Migration” is vividly animated with warm cartoon tones that would do Daffy proud. But it never quite spreads its wings, writes AP Film Writer Jake Coyle in his review.
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Marvel kicked out Jonathan Majors after his conviction. It’s thrown years of plans into disarray
Marvel had more riding on Jonathan Majors than perhaps any other actor. Now it’s parting ways with him, and throwing years of plans for its cinematic universe in disarray.
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Jeffrey Wright, shape-shifter supreme, sees some of himself in ‘American Fiction’
Jeffrey Wright has played Jean-Michel Basquiat, Martin Luther King Jr. and Muddy Waters. Across an expansive array of roles both small and large for more than two decades, Wright has been among the most malleable of actors, able to transform endlessly while still maintaining a singular screen presen
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Marvel, Disney drop actor Jonathan Majors after he’s convicted of assaulting his former girlfriend
Marvel Studios and the Walt Disney Co. have dropped actor Jonathan Majors after his conviction on charges of assaulting his former girlfriend in New York City earlier this year.
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‘Wonka’ waltzes to $39 million opening, propelled by Chalamet’s starring role
“Wonka” debuted with $39 million in box office sales in the U.S. and Canada over the weekend. It’s a strong start for the musical starring Timothée Chalamet as Willy Wonka, and underscores Chalamet’s drawing power.
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Behind the sumptuous, monstrous craft of ‘Poor Things’
“Poor Things” is a Frankenstein-esque fantasia about a young woman (Emma Stone) reanimated by a demented surgeon (Willem Dafoe).
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Review: Timothée Chalamet waltzes through the whimsical ‘Wonka’ but Roald Dahl’s daring is missing
“Wonka,” starring Timothée Chalamet, has two things going for it: the dazzling designs of “Paddington 2” director Paul King and the charisma of its leading man.
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Lily Gladstone is standing on the cusp of history
Lily Gladstone is the anguished heart and compassionate conscience of Martin Scorsese’s Osage tragedy “Killers of the Flower Moon.”
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The Golden Globe nominees are out. Let the awards season of Barbenheimer begin – Analysis
Early awards in Hollywood’s unfurling awards season have gone to films like Celine Song’s tender relationship drama “Past Lives,” Jonathan Glazer’s piercing Holocaust film “The Zone of Interest” and Martin Scorsese’s sprawling Osage murders epic “Killers of the Flower Moon.”
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Miyazaki’s ‘The Boy and the Heron’ is No. 1 at the box office, a first for the Japanese anime master
Japanese anime master Hayao Miyazaki’s is No. 1 at the North American box office for the first time in his decades-spanning career.
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Best movies of 2023: ‘Oppenheimer,’ ‘Fallen Leaves,’ ‘May December’
Associated Press film writers Lindsey Bahr and Jake Coyle have named their best movies of 2023. Christopher Nolan’s epic biopic “Oppenheimer” tops Bahr’s list, while Aki Kaurismäki’s Finnish romance “Fallen Leaves” leads Coyle’s top 10.
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Review: Swan song or not, Hayao Miyazaki’s ‘The Boy and the Heron’ is a master surveying his empire
Watching Hayao Miyazaki’s “The Boy and the Heron” is like returning to a faintly familiar dreamland.
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20 years after ‘Sideways,’ Paul Giamatti may finally land his first best actor Oscar nomination
“The Holdovers” marks the long-in-coming reunion of Paul Giamatti and director Alexander Payne, 20 years after “Sideways.”
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‘Killers of the Flower Moon’ named best film of 2023 by New York film critics
Martin Scorsese’s “Killers of the Flower Moon” has been named the best film of the year by the New York Film Critics Circle.
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‘Past Lives,’ Lily Gladstone win at Gotham Awards, while Robert De Niro says his speech was edited
Celine Song’s wistful romance “Past Lives” has earned top honors at the Gotham Awards at an award-season kickoff where the night’s biggest drama came in a political speech by Robert De Niro that the actor claimed had been edited.
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‘Hunger Games’ feasts, ‘Napoleon’ conquers but ‘Wish’ doesn’t come true at Thanksgiving box office
The Walt Disney Co.’s “Wish” had been expected to rule the Thanksgiving weekend box office, but moviegoers instead feasted on leftovers, as “The Hunger Games: Songbirds and Snakes” led ticket sales for the second weekend, according to studio estimates Sunday.
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Review: Bradley Cooper’s ‘Maestro’ leaves many notes of Bernstein unplayed
Bradley Cooper’s “Maestro,” a high-wire act of a biopic, leaps constantly between on stage and off, flying through Leonard Bernstein’s very public life as a conductor while diving into his more private marriage to Felicia Montealegre.
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Colman Domingo’s time is now
Colman Domingo has a commanding physical presence, an expressive face and soulful eyes. But his most limber and powerful tool is his voice.
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Golden Globes find new home at CBS after years of scandal
The Golden Globes have found a new broadcast home at CBS after the troubled awards show lost its longtime home at NBC and the Hollywood Foreign Press Association was dissolved after years of scandal.
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Movie Review: ‘Fallen Leaves’ is deadpan nirvana
In a movie year rife with grand, three-hour opuses from auteur filmmakers comes a slender 81-minute gem that outclasses them all.
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Review: In Ridley Scott’s ‘Napoleon,’ the emperor has no clothes but plenty of ego
This Napoleon, as played by Joaquin Phoenix, isn’t extraordinary nor is he much of a man.
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Jimmy Kimmel to host the Oscars for the fourth time
Jimmy Kimmel is returning as host of the Academy Awards for the second straight year and fourth time overall.
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Taika Waititi on ‘Next Goal Wins’ and his quest to quit Hollywood
Taika Waititi would really rather just go to the beach. In an interview, the 48-year-old Māori filmmaker of the upcoming “Next Goal Wins” says he’s already begun planning how he can quit Hollywood, which he calls “just sad people eating lukewarm food out of cardboard boxes in offices.”
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‘The Marvels’ melts down at the box office, marking a new low for the MCU
Since 2008’s “Iron Man,” the Marvel machine has been one of the most unstoppable forces in box-office history.
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Hollywood’s strikes are over, but a painful industry-wide transition isn’t
Hollywood’s months of labor unrest are coming to an end, but the post-strike landscape that awaits actors and writers may be far from happy-ever-after.
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Review: The Hunger Games return in ‘The Ballad of Songbirds and Snakes,’ with the odds in its favor
Two hours and 37 minutes is pretty long for a “ballad,” but you can’t call it “The Hunger Games: The Three-Cycle Opera of Songbirds and Snakes” now, can you?
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Alexander Payne on the inspirations of ‘The Holdovers’ and the movies that shaped him
A deep affection for cinema tends to run alongside the moviemaking for Alexander Payne. “The Holdovers” is his attempt to make not just a ’70-set film but an actual ’70s film, styled after some of the movies he grew up with.
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Nia DaCosta makes her mark on Marvel history with ‘The Marvels’
Director Nia DaCosta is the first Black woman to helm a Marvel movie. She’s also, at age 33, the a youngest filmmaker to so.
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Movie Review: In David Fincher’s ‘The Killer,’ an assassin hides in plain sight
“The Killer” is a terse, minimalist thriller in the cool, cold-hearted tradition of Jean Pierre Melville’s “Le Samouraï.”
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